yoni bulova

...Chauvet Pont d'arc cave, 30k bce, the goddess of the cave, feline birthing deity, a Tlatla-tzol-Teotl. she is not spotted, looks like a lioness, facing away from us with her head turned to the left, ah, left is a solar position as we face west, the sun comes north from that direction to give us the spring/summer seasons. the lioness has expression on her face, her jaw is open, she seems to be smiling in pleasure. behind her is the morphic duality of her hind legs, which melds into the legs of a cave Venus, of the kind we have found at Zatal Hüyuk, all over the cave regions, some of the oldest being 35k bce, the Fire Drill Phallic Flame Hole Deity, who later becomes solar, as T/L/Ra(Egypt). at the juncture of the lioness's 2 hind legs is a Vulva, quite large, painted in black=palli(Nauatl)=color, black dye; women use it to dye their hair, later,=palo(sp/sexual connotation)=Cuetzpallin(N/4)= Rising Phallus, the Lizard of the Tonalamatl, and Priapic Ueue Coyotl/ Old Coyote, sexual dancer, 4=growth, and is allied to Xilonen(N)=the young goddess of Corn,=Shiloh(Amerind Battlefield, Civil War), meaning where the corn seats=Xilé(N)=sillín/silla(sp). the optical illusion of the hind legs, melds the lioness with the lower parts of the Cave Venus, the lioness being the birthing animal Totem of the Goddess, and the Goddess being the Regent of the our Race and of the evolving Tonalamatl Birthing Calendar of a ritual 260days, a Venus(Planet)calendar, altho at 30k bce, Venus is still Red Deer/ Mazatl(N/7 Tona) as weaving is not quite ready for its deity to be Venus2, Ehecatl/Hecate/Ecatl(N/2 Tona), daughter of Perses/Persia and mother of Quetzalcoatl(N), the proto-Christ of the 4k bce Sea Age. balanced on the lioness's coccyx is the head of a Bull with quite long string horns, in the black dyed Palli(N)/Phallus mode also, just above the feline Yoni/Vulva, its chest being part of the Yoni pudenda, and below that, at the crux of the shared Lion/Goddess legs are the lower parts of the labia marked by a white, vertical alley which separates them. here, at last, we have the Feline Totem in action as symbolic surrogate for the Goddess, who is present also by Art's bimorph line, and the Phallic Bull, who lends his headbutt to the totemic, titanic coupling, a magic transfer whose strengths will empower the human creatures engendered, the mystic means by which the race will overcome dangerous animals who once dominated the environment, e.g., there is an age, the first, named, Ocelotonatiuh(N)=Sun of Ocelot, when big cats were top predator, like the bear, and we were their unwilling guests in the caves. cave painting represents much more than Xamani(N/verb)=destroy, =chamaua(N/verb)=eulogize, both verbs=Shaman(overused in doubtful contexts), ah, there is an exchange of powers hoped=tohopa(OE)= Toptli(N)=Idol/wrap(draw/sculpt)=toptia(N)=opt/obey(E), with no Sham/shamanic intervention necessary as the portraits have their own, self-contained power gallery, which goes directly to the viewer, to the pilgrim who enters the cave. there is no middleman. Lion/Leon(sp) springs from root Ocelotl(N/14 Tona), the order of letters not so important as they be present, in whatever order, e.g., lynx=lox(OE)=luhs/luchs(OHG/G)=lusis(Lith)=lug(MIrish), as in Leuk for its keen sight, says Onions, but is the element, luthe/-lotl(N) in Oclelotl(N), which does mean light/lumbre(lumber)/dar luz(sp)=birth. Leon=l/Teotl(N)=Deity, associated with fire/Tletl and Tlatla/Ra, solar. Synchronicity of meaning puts Leon with Ocelotl/Leo, also, ounce/ once(OFr)=O(n)ce-lotl(N), but, then,=lonza(Ital)=luncia(Roman)=lyceus (Latin)=lynx(E). however Leon(sp) has special uses, e.g., Tletl(N)= T/leer/l/ttl=T/lernia(OFrisian)=leo(r)nian(OE)=learning(E)= a Lion of Leorning, coming right up from Fire/Tletl's t/letra, as it is the English who put Learning in Lion's paws as Teotl Leon.